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SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens | Game-Changer Anamorphic
Built according to the highest standards, this 35MM anamorphic pro lens achieves the FOV of a 26.3mm camera lens by widening the horizontal FOV up to 33%, offering you a ultra wide-screen flattering cinematic look as well as excellent anamorphic visual characteristics.
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Wider Field of View
1.33x Cinematic Squeeze Factor
Featuring a 1.33x squeeze factor, this 35mm lens delivers an ultra-wide horizontal angle of view.
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Premium 35mm
Versatile Focus Length
Wide enough to capture background elements, but close enough to shoot more intimate details.
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Silky-Smooth&Stepless
Maximum F1.8 Wide Cine Aperture
Maximum F1.8 aperture enables cameras to take in more light in even low light conditions.
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Crisp&Natural Image
Sharp, High Resolution Image
Produce sharp, quality imaging with a smooth depth of field.
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Distinctive Cine Effect
Sci-Fi Cinematic Light Art
Produces unique blue light streaks and star burst for optimum cinematic visual effect.
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Breathtaking Aesthetic
Breathtaking Creamy Oval Bokeh
Enchanting oval bokeh couples with the foreground delivering an upgrade aesthetic look.
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Precise Control
Explore From 0.85m To Infinity
Focus breathing is well contained. Hard to find a zooming motion to the shot while racking focus.
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MFT/L/RF/E/EFM/Z
Wide Compatibility
Available in native MFT, L, FR mounts and E, EF-M.Z adapters.
State-of-the-art Technology and Premium Details in SIRUI 35MM S35 Anamorphic
SIRUI HOT PRODUCTS | HIGHLY RECOMMENDED CINE LENSES
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SIRUI 35MM 1.6X FF Carbon Fiber Anamorphic Lens
T2.9-T16 Aperture
0.9m-∞ Shooting Distance | M58×0.75 Filter Spec
E/RF/DL-Mount
＄ 1,499.00
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SIRUI 50MM 1.6X Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.75m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z Mount
＄ 1,499.00
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SIRUI 100MM 1.6X Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.93m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z-Mount
＄ 1,499.00
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SIRUI 75MM 1.6X Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.85m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z-Mount
＄ 1,499.00
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SIRUI Jupiter Macro Full-Frame Cine Prime Lens
24MM/35MM/50MM Focal Length
T2-T22 Aperture | 0.79ft(0.24m)-∞ Shooting Distance
EF-Mount and PL-Mount
＄ 999.00 - 2,799.00
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SIRUI 28-85mm Full-Frame Parfocal Zoom Cine Lens
T3.2-T22 Aperture
2.3ft(0.7m)-∞ Shooting Distance | M110×0.75 Filter Spec
EF-Mount and PL-Mount
＄ 2,899.00
SIRUI cine lenses are tailored for diverse applications:24mm anamorphic lens is for wide-angle shots,35mm for humanistic shots,50mm for subject separation shots,75mm ideal for portrait and emotional rendering.
Please Make sure this lens fits your camera model number!
Deon
Reviewed in the United States on June 27, 2024
This lens is beautiful. From its sturdy frame to its beautiful glass and magnificent video. Truly, gives you the capability of having a cinema look on a DSLR
Haiping Zhang
Reviewed in the United States on March 24, 2024
Much better than I expected
Peter Faure
Reviewed in Canada on November 15, 2024
Excellent lens, just wish their shipping department was on top of things as I originally got the wrong lens.... but I returned the wrong one and finally got mine, which I couldn't be happier with...If you want anamorphic lenses that work with mirrorless cameras this is an excellent option (and with a beautiful blue lens flare)
Jin Namgung
Reviewed in the United States on October 19, 2024
Solid product pricey
Customer
Reviewed in the United States on January 1, 2024
I LOVE this lens. The 35mm is the perfect length. It truly has a Cinema look to it. Nothing cheap about this lens at all. Well worth the price, which is not bad at all for the value it brings to your work. I will say that this lens is a bit on the heavy side but with the right camera setup you'll be fine.
Arnaud B.
Reviewed in France on March 23, 2023
Cet objectif s'adapte parfaitement à un Lumix S5 monture L. L'image est sharp même à pleine ouverture, et le bokeh oval en plus de l'emblématique flare, donne un look unique à l'image.Lorsque vous filmez en full frame, vous devrez, en post production, en plus du DeSqueeze, zoomer dans votre image pour éliminer le vignettage (qui est dû au fait que l'objectif soit pensé pour être utilisé sur un APS-C/Super 35).Sa distance de mise au point minimale est d'1 mètre, c'est qui juste, mais tout à fait normal compte tenu de la nature de cet objectif. Il est possible de corriger cela avec des filtres Dioptrie appelé aussi filtre "Close-up"
Red Panther
Reviewed in the United States on February 14, 2023
Overall it's a great lens. Excellent picture quality. As mentioned by others, the lens doesn't fit full frame cameras, which is unfortunate since I have a Sony A7C. But... it still looks great with minimal to zero vignetting when I crop in 1.4x with Clear Image Zoom. The rear lens cap didn't fit the E Mount (since I had to add the adapter once I received the lens), but I asked about it, and they were happy to send one out. Super happy with the purchase so far.
ML Shopper
Reviewed in the United States on November 26, 2023
Turns the aps-c camera into a movie making machine.
Agustin G.
Reviewed in Mexico on April 27, 2023
Lo compre como lente para usarlo en el 80% del rodaje de un largometraje independiente y ha cumplido al 100. Me encantan los flares y la textura de la imagen.
PTJ
Reviewed in the United Kingdom on April 3, 2022
This lens is a complete game changer. It’s solidly built, incredibly sharp and the image rendition is superb. The Bokeh and flaring look really nice and it’s hard to believe you can now get an anamorphic lens and not pay £££££!
Dr Dave
Reviewed in the United States on August 29, 2021
OK had to try this one. There's a lot of info online, and I don't have much to add except that it's decently sharp, that was a question mark looking at samples.Unpacked the Sirui 35/1.8 this morning. After a half day of testing, it looks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.I filmed the tests on the S6 in "open gate" to make full use of the 6K+ S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars. It's all good. You can downsample, crop, whatever you want. Lots of choices.My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, no biggie.You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usuable wide open.Clickless aperture and focus is very smooth and there are two rings included for gearing. No hood, which is cheesy for an $800 lens IMHO. :(@theusualeditor re: thin air pixels--this lens allows me to film open gate on my Z Cam S6, so I'm not losing or cropping any pixels except some in the horizontal which unsqueezes a tiny bit wide. And, here, I'm not losing but cropping oversize. Ordinarily, a lot of these pixels would be unused, just like on most 4:3 or whatever cameras. So this lens get every drop of pixel juice out of the slightly oversized sensor.So because of the open gate, it's like the extra resolution you get when you used film back in the olden days. And, in H265 I'm getting manageable file sizes.But, beyond that, it looks cracking when you drop it into an 8K timeline.(Yes, there are blue flares easy peasy.) P.S. It isn't light.
Customer
Reviewed in the United States on January 17, 2021
I really wanted to like this lens. It's very solid and beautifully made. I've been shooting video with an Iphone and a Moondog anamorphic lens for two years now and have grown so accustomed to framing subjects in widescreen that when I purchased a Sony A7SIII I had high hopes that I could do the same thing with Sirui's lens. Unfortunately, due to it being an ASPC lens, the results weren't what I had hoped. I was able to shoot 4K footage by cropping the lens to 1.5 using the camera's clear zoom function, but besides losing a substantial portion of the image, I still experienced some slight vignetting on the left side of the frame (and strangely, the image also 'skewed' when I tilted the camera left or right). Unfortunately, along with continually having to manually focus the lens, I finally decided the two issues were a deal-breaker for me and I sadly returned it to Sirui. I don't know if they read these reviews but if so, I would pay double what this lens cost if Sirui could ever create an anamorphic lens for full-frame cameras. For those of you who have cameras that shoot only with ASPC lenses, you can get some beautiful footage with this lens. It's definitely worth what it costs and I recommend it if, as long as you don't mind a manual focus lens.
Alvaro CM
Reviewed in Spain on December 13, 2020
La palabra exacta es "impresionante". El fondo sedoso, la ratio cinemascope, esos flares.. muy luminosa. Cuesta creerlo. Volvería a comprarlo una y mil veces. La combinacion con mi GH5 y Ninja Atomos es un cañon.
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